Watching these standard definition scenes before post production really shows how much is added to a film to provide atmosphere and character.
Where can i watch the man from nowhere movie#
'Making Of' (17:23) is a look at how movie magic is made. The trailers for for 'IP Man 2', 'Legend of The Fist: The Return of Chen Zhen', 'Yoga', and '9th Company' play before getting to the title screen of the feature film. The disc also includes both English and Korean Dolby Digital 2.0 tracks.
There is great cross-channel use and ambiance is created anytime the film will allow. Heavy bass, gunfire, and an amazing score are just a few of the ways speakers will be tested. With this track, dialogue levels are well balanced in the front field and somehow manage to be heard despite the aggressive surround field. You can get all of the same action along with voices that don't seem detached from the action by selecting Korean DTS-HD 5.1 Master Audio. The white subtitles are easy to read throughout the feature and don't blend in with the action.Īs with most dubbed tracks, do yourself a favor and skip the English DTS-HD 5.1 Master Audio track. Colors are well defined and flesh tones are accurate. This, coupled with the soft film-like presentation, gives this hard hitting title even more character. There is great detail throughout the film and the dark tone of the movie is complimented by a blue hue throughout the film.
Where can i watch the man from nowhere 1080p#
'The Man From Nowhere' is presented with a beautiful 1080p AVC encoded image in 2.35:1. If you were impressed with the quality of that title, prepare to be wowed again. Many may know Well Go USA for their great 'IP Man' release last year. It sets the film up very well for the justified ultraviolence that Cha inflicts on those who are between him and his friend. Both characters share shattered lives and have somehow found each other. As his backstory unfolds, we see that his need for Yeong's influence is greater than one would think. While it doesn't have the romantic undertones, Yeong sees that Cha is hurt and accepts him regardless. He doesn't want a relationship, but seems to welcome it once it arrives. Cha seems to have taken to Yeong much like Leon to Mathilda in 'The Professional'.
With all that is going on, Lee Jeong-Beom never lets go of the heart of the film – the relationship between Cha and Yeong. The movie has a dark, humorous side that is peppered throughout the runtime and the action scenes sneak up in a hurry. 'The Man from Nowhere' had me hooked early. Those who get in his way find out that it is indeed the quiet ones that you need to watch out for. This man from nowhere shows that he has plenty of backstory and sets out to find his young friend. Yeong ends up getting kidnapped and Cha quickly takes notice. She tries to rob a dealer and compromises her location, her life, and the lives of those around her. Eventually, Yeong's mother goes too far with her drug habit. It is a place where both parties feel comfortable given the different roads that have led them there. They eat together and Yeong even manages to paint Cha's nails. The two share a relationship that is similar to an uncle and his niece. In an effort to avoid her drug addicted mother, Yeong has found a friend in Cha and sees that he is more than a glorified hermit. The exception to his rule of seclusion is Yeong So-Mi (Sae-Ron Kim), who is as popular as yesterday's newspaper. Living in a humble apartment within the pawn shop he runs, it seems his goal is to avoid any type of contact or conversation with the people who pass in front of his store. It seems with his latest film, Jeon-beom has decided that action speaks louder than words as 'The Man from Nowhere' incorporates some violent, fist clenching action into a character driven movie.Ĭha Tae-Sik (Bin Won) is a quiet man. It is directed by Lee Jeong-Beom, who may seem like a man from nowhere for those who haven't seen his debut crime drama, 'Cruel Winter Blues'. The first of two South Korean films that I saw at Fantastic Fest was 'The Man from Nowhere'. They are all diverse in execution, but maintain a degree of intensity that is hard to find in American films. Then came Jo Beom-jin's 'Aachi and Ssipak', Kim Ji-woon's 'The Good, The Bad, and The Weird' and Bong Joon-ho's 'Mother'. After Park Chan-wook chewed us up and spit us out, Kang Je-gyu demanded our attention with 'Tae Guk Gi: The Brotherhood of War'. Many of us were introduced to the culture in 2003 with the outstanding 'Oldboy'. South Korea has been invading American theaters and I love it.
0 kommentar(er)
